Blood Licker was the featured band of TSM #8. If you haven’t heard em’, go take a listen and then come back to read this post.
–> Blood Licker bandcamp
Blood Licker is a duo, a melding of two minds, and possibly…probably…brains. BL’s shows are distilled magic. Seeing them in a concrete building, you’re immediately transported to a forest: you know that below that building’s foundation, there’s fungus, roots, and decomposing plant/buggo matter. BL helps you remember that soil is alive. BL’s Whitney and Mark are the kinds of spirits who reveal things in the shadows, replenish energies, and rock super hard. Also, they love rats; that’s why we did the r thing there, to get that in somehow!
Following are excerpts from Jolene(isha) W/E interview with Blood Licker and lyrics from their 2016 tape Malignant. For the full interview pick up a copy of The Sick Muse #8!
How is the forest connected to Blood Licker?
Observing the divine represented in Nature fuels what we make. She may be soft or harsh in Her instruction to us. We take solace in spending time in the woods, listening to the rhythms of birds, wind, animals, and plants. Much of the material on the demo cassette “Malignant” regards the destructive impact our culture has on Nature, and what actions She may take to exact retribution. We make a tiny humans’ attempt to show our gratitude and implore chaos.
Do you think it’s important to be comfortable with eeriness?
We do feel it is important to sit with, experience, and translate fear/terror into sound and performative gesture. We would not classify this as being comfortable with eeriness, but rather paying close attention to environment and confronting instinctual dread to strengthen empathy and capability to communicate through that dread. Comfort is never our objective. Comfort may kill the urgent need to express. We will never be complacent to the powers and currents we seek to confront.
Do certain feelings have sounds?
Most certainly. We are intrigued by lending sensation to the opposite sound of what we might immediately imagine a feeling to have – – such as a deadly dangerous soft coo, an ecstatic scream of delight, a plodding drum cadence that induces anxiety, or a tape loop of blistering static that represents calmness.
What things do you do to capture elements of horror in music?
Come see us play live.